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On my way to Liberty Island to photograph a gala - an incoming storm gave Lower Manhattan a striking appearance.
I’m excited to begin working with Lehman College in The Bronx to refresh and update their imagery for upcoming promotional campaigns.
Yo Yo Ma performed Bach’s Six Suites for Solo Cello at the Washington National Cathedral on November 29, 2018.
Manhattan School of Music recently engaged Holzman Moss Bottino Architecture to reimagine its campus coinciding with its 100 year anniversary celebration. The newly renovated Neidorff-Karpati Hall serves as the school’s centerpiece with flow in and out of the building being shifted from 122nd St to Claremont Ave at the hall’s entrance.
I recently spent a day in Washington DC for Turnaround for Children to document their work supporting the academic culture in DC Public Schools.
Katie Couric & Seth Meyers speak at the 2018 Human Rights First Awards Dinner at Chelsea Piers’ Pier 61.
Violinist Grace Park performs during the finals of the Naumburg International Violin Competition at 92Y in New York City.
Carnegie Hall has been extensively photographed so it was my aim to depict the space not from the view of a benefactor but from the perspective of the Average Joe’s seat. This presents a number of challenges seeing as though the stage is brightly lit and the seating is almost completely darkened during a performance. Great care was taken to blend multiple exposures in such a way that preserves the look and feel of concert lighting while still highlighting details throughout the image.
Photographed on the Sony A9 and Sony FE 24-70 f/2.8.
final image
Manhattan School of Music is a conservatory located in the Morningside Heights neighborhood in New York City. We begin a project to photograph many of the spaces within the campus beginning with the intimate Soloman Gadles Mikowsky Recital Hall, named after a revered professor of piano at the school who donated money for the space.
Located high on the SE corner of the building, the room receives natural light throughout the day. There is a serenity to the space which is unable to be captured in a single exposure as depicted by the second image below. Through a process of combining a number of frames, we were able to generate a final result which preserves the concert goers impression of the lovely hall.
Photographed with the Sony A7r III & Canon 24mm TS-E.
final image
before
While on a recent trip to Burgundy expanding the portfolio of famous plots, we managed to stumble across the famed Romanée-Conti vineyard of the Domaine de la Romanée-Conti just as the sun was coming down. A stunning sight to behold.
Division Of/, a New York City based digital agency, in their Manhattan offices. Photographed with the Nikon D810 and Profoto B1.
Archival pigment prints produced on printers like the Epson P800 or Canon Pro-1000 have the potential of sustaining their brilliance without fading for as much as 200 years when handled and stored in a box with care. Behind UV coated glass, you can expect 2/3 to 3/4 the longevity. If left out in the open, 1/4.
Firstly, one must make sure to use acid & OBA free media to print on. Canson Infinity, for instance, doesn't use OBA's in any of their papers.
These are the tools I use for long term storage:
Archival Methods Onyx Portfolio Box
The Onyx is an acid and lignin free paper lined box covered in a durable, moisture resistant buckram material. The box is hinged on the longest side allowing for easy retrieval of prints.
Archival Methods Buffered Archival Tissue
As pigment prints are prone to damage, I interweave acid free tissue paper between each piece to protect the image surface
Staedtler Pigment Liner
To sign prints, the Staedtler Pigment Liner is acid free and will not cause discoloration over time.
Temperature and humidity in the room must be controlled as well. Aim for low 70's or upper 60, away from sun, and at an average humidity of 30%.